![]() Molding causes the frequency content of one sound to shape another for amazing vocoder-like effects you can use a vocal track to “mold” a synth track.Pattern finder to select a target sound and then automatically locate and select every other similar sound in the spectrum (Pro only).Unmix components to deconstruct stems into tone, noise and transient component layers. Something like a side chain, Casting causes the frequency content of one instrument to leave a “shadow,” a deficit of those frequencies in another instrument. A similar process is possible for removing or reducing reverb and now Casting and Molding are two brand new processes. ![]() Extraneous noises that appeared in the middle of syllables were removed without affecting the vocal sound quality. It was easy to scroll through a vocal track and deal with sibilants and other flaws.Ī vocal recorded in a closet had excessive low frequency rumble, so unlike using a high-pass filter, you can attenuate specific amounts at different frequencies of only the offensive moments. There are 25 real-time editing tools to attenuate or amplify certain frequencies as directly viewed on the display. You may separate into layers these audio components and then cut/copy/paste them into containers or into other layers. Deconstructing sound by copying portions of the audio to editable layers has completely blown open creative sound design. With SpectraLayers Pro 6 you may edit and modify recorded audio by viewing the time, amplitude, and frequency components of sound-a three-dimensional view of sound for editing that was heretofore impossible. It also operates as a standalone application and integrates very tightly into existing Cubase, Nuendo, HALion or WaveLab workflows. Steinberg’s SpectraLayers Pro 6 runs as a VST3 or AAX plug-in in both MACs and PCs and any DAW that supports ARA 2 (Audio Random Access).
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